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"experience is simply just the name we give our mistakes." - Oscar Wilde

Design Resume

Technical Work Experience


Live Event Production

  • Daktronics video boards (as well as minor repairs: power supplies, pixel replacement, etc.), and required backend systems - Venus 1500 & 7000; Daktronics motion control system.
  • Edirol graphics system
  • NewTek 3Play replay & Tricaster TC1 systems  
  • Ross & Tricaster video switchers
  • Livestream production systems
  • ProPresenter 

    > Camera's

  • Canon - F105, XF305, XA11, EOS C700's, ,  ;
  • RED Raven's and One MX for commercial work, 
  • Blackmagic URSA;
  • ARRI Alexa models;
  • Panasonic AG-DVX models, and P2's
  • Sony HDW-F900R's (HDR-FX7's for mostly indoor live productions - earlier)

[variety of Canon DSLR's - EOS 5D Mark IV's / EOS 70D / EOS 7D Mark II's / EOS-1D X Mark II / etc. ]


Live Event Audio Production


  • Allen & Heath
  • Mackie
  • Behringer
  • Midas
  • Yamaha CL series
  • DiGiCo SD10's



I've had the fortune of mixing and some post-mastering on a Neve 8068 and a vintage 5088 console - amazing. 


I have engineered/mixed 17 artists - 14 of which were full bands - as well as the mastering on 6 records as well. A majority of my experience engineering in the studio has been on analog consoles with the exception of 2 studios that were equipped with both analog consoles and ProTools digital console capabilities and one studio that was strictly digital (ProTools digi console).


  • ProTools (various different plugins within ProTools as well)
  • Logic 
  • Ableton